#tss!positive steve

[shadow-genesis-yay]

Purple here with a thought I just had 🟪🎃

So we all know Nightmare was a normal Yellow Steve before absorbing a Red Steve, right? And we also know he did experiments in his castle (which in my opinion, could have been made a bit better but he probably just wanted something good enough to do stuff in so he didn't care for the quality)

Well, two experiments of Nightmare that Sabre, Lucas, and Rainbow encountered, were Positive and Negative Steve. And what were their colors? Red and Yellow. The exact colors of Nightmare.

Nightmare obviously has some connections to those two colors, and for known reasons. But why specifically did he try and make Positive and Negative Steve. He could use any other color to make hybrids, but he chose a Yellow and Red Steve to make those two. But for what reasons?

Did he want clones? Did he want a new successor other than Dark? What did he want, and why?

And what did those two go through? While being scared seems like an obvious reason to attack the Rainbow Town, Sabre and his friends never showed a threat to them. Did they attack out of fear? Jealousy? Control? What did they experience and was it why they attacked the town.

They also had a chance to become their normal selves when making a machine. But instead they chose to merge together to make Infinity. They could have been free as soon as they finished the machine, and maybe even sooner if they didn't attack the Rainbow Town.

What were their goals? Why were their goals that way? Why didn't they just escape or something? If they feared Nightmare, then they could have ran and asked Sabre, Rainbow, and Lucas for help. But they decided to attack, and merge themselves.

They had so many opportunities to be free if they had a hatred for Nightmare, that they never took. Even if they never wanted Nightmare dead, and just wanted to be away from him, they could have asked Rainbow and his friends because Rainbow's whole goal is to stop Nightmare.

[thebeingmerf]

MerMay 2024 Days 22-30

Sorry for the lack of description, tumblr seems to hate the longer version.

��

Be ready for tomorrow ;}

[illusion-reality-steve]

Au idea: Swap au, Nightmare steve and ancient yellow king swap, reverse steve and positive steve swap, plague steve and demon steve swap, the overseer(Elder Blue form) and negative steve swap

Why am I being asked to consider so many AUs that separate Positive and Negative from each other? Anon, what did Positive and Negative do to deserve this? Lol

Anyway, the idea of Reverse and Overseer being connected is interesting. I’m gonna take a page from Rainbow Quest and suggest an AU where maybe Overseer is the first Elder Blue and Reverse is the first Rainbow Steve. They were besties and worked together to better Steves society before something bad happened to them both, causing them to be like Positive and Negative in this AU.

Thank you for the ask, anon!

[otter-pop-supreme]

(3/3)

All the pics are from my hc slideshow. I can’t remember if I shared the link BUT I do consider it outdated(bc my hcs may change by the day) and plan to make a new, much more backstory and such

Lil project ive been doing:

I've been making dress up “dolls” of TSS characters w fem and masc vers. Rn I have

-Rainbow

-Elemental

-Time

-Galaxy

-Void

-Memory

-Illusion

-Plague

Don't think I can show the bases, they nakey but rb w outfits for me to draw them in :3

May make more bases another time

[randomdoodless]

Doodles' list of ocs

UTAU Velvet- cat skeleton monster. she/her. bi? Silver- Sans. outerswap au thats just a little quirky. joined star sanses for a short while after au was destroyed by error Bane- parasite. no real name. lab experiment. feeds off monster magic. goes batshit crazy if tastes human blood. he/them positive parasite- parasite. no real name, but goes by whatever you want. feeds off positive feelings. lab experiment. any pronouns Aerglo (air-glow)- wolf skeleton monster. they/them. had a horrible childhood Razzmatazz- Sans. felllust sans. adoptive uncle of Aerglo. depressed Delusion- Error/Lust ship child. taken by the bad sanses. he/it. Razer- Killer/Dust kid. had a not so good childhood, his parents hate each other. Hunter- Silver and Razers kid. he/them. lives in a cottage on the outskirts of the bad sanses territory. he and Razer help bad sans prisoners escape Hellbone- Sans. Fell variant. son of Grillby and Gaster. lives in an au open to visitors, works the bar. Supernova- Papyrus. Silvers brother. (dead) Winter- Aerglos brother. Autum- Aerglos brother. Summer- Aerglos mother. "dripping ink" (no official name)- im.. not actually sure what i was doing with this one. he was like ink but instead of using vials of fake emotions he ate the emotions of others Pixel- Error sans. my take on a 'swap'. he is quite literally a swap sans who had the error treatment Tint- Pixels ink counterpart. he doesnt take his vials very often.

TSS Cobalt- blue steve scientist, studies biology. had a past run in with nightmare steve in the early days Corruption- parasite. Elementals rival. causes chaos throughout dimensions, 'corrupting' steves to do his 'bidding' (he's really bad at being a villain). is actually a cat from a dead universe and is slowly dying, possessing steves to simply stay alive Doodles- me but a *purple steve. has one red eye. he/them/it Mani(pulation steve)- more of a concept. similar to The Rainbow Tree in that there can only be one in any dimension at a time. tends to make people like him for personal goals. Bonfire(aka bonbon)- Elemental kid. made from Elementals remaining energy. he/her Cirrus- Elemental kid. made from Elementals remaining energy. he/them Documentary- yellow steve. has a power to travel to the internet, its a fairly weak connection and he needs extra help to properly harness it. (uploads steve documentaries when he can) Paranoid- green steve. wears red leather boots. was friends (maybe more) with a red steve dioxazine- a shade of purple steve. from a dimension where steves are each a shade of any colour (sage green, dandelion yellow, carnation red, etc etc)

RQ Random (orange steve)- me but an orange steve. he/them/it. lives after the events of rainbow quest. friends with a red steve. suffers from his randomness most days

OTHER Sugar(new name is a wip)- transmasc furry fox. is a prince Pinky- old warrior cats oc Blu- old warrior cats oc (Pinkys sister) AppleJuice- mlp joke oc unnamed mlp oc- blood red hair and golden coat. pegasus. for some reason ran the rainbow factory and was a cannibal who could also use magic with her wings????? Archive- any pronouns, any time he enters a rp his vocabulary gets reset, he can only use words he's heard from someone else

[birdiscool]

Back at it again with this mentally ill thing that I like to call my minecraft steve saga AU This time its yellow steve eddition! I remember that in an early episode of TSS Rainbow was talking about how the yellow and purple steves were created via “weird lightning accident” thing way after the original three steves were created. Here that accident included a series of very unfortunate and (un)lucky events! Basically a container filled with Origin steve’s powers were unable to find the people they were meant to go to, the container was eventually lost by time until it reappeared way after the fact and was taken from place to place as an artifact. Eventually this origin artifact fell into the hands of an unlucky enderman who happened to be hiding underneath a tree during a lightning storm, he then proceeded to try and open this bottle which unleashed the origin energy inside in a very powerful wave since it was contained for so long. The enderman was sadly vaporized so hard he died forever, but the origin energy mixing with the dna or soul or whatever of the enderman allowed for these yellow and purple steves to start spawning! The purples spawning in the end, and the yellows spawning on the planet. (idk what to call this planet right now, it would be kinda lame to just call it earth since it’s definitely not earth). I liked the idea of the yellow and purple steves forming due to a spectacularly stupid centuries in-the-waiting accident lol.  I actually had to chat up one of them AIs about the end asteroid space thing because I couldn’t find any information on how that would work in orbit with a planet and stuff. Anyways what was I talking about? Right yellow steves. They are similar to the purple steves, but they are more muscular since they had to live on the actual planet where gravity is stronger. They don’t live in the same kind of “bug society” as the purples and the endermen but they did used to have some sort of monarchy in origins. Most steve civilizations moved past their British phase though. Yellow steves were always the most militaristic in their ways while they were in that phase. Despite moving past monarchical ways yellow steves somehow always manage to get into some position of power, whether that be for better or for worse :3  Also I didn’t want to leave this out but Faceless was actually designed to look at least a little bit similar to endermen because he was also created when lightning accident thing happened. This is because of void shenanigans. I will get into that voidy stuff another day because it’s a WHOLE nother can of worms. Come back in 500 years for another episode of minecraft and steve saga AU

[your-highnessmarvel]

It’s Your Captain Tonight NSFW

Requested by Anon: Hi I follow you on twitter and I saw you retweeted that post about chris having an captain america suit in his closet for “special occaisons” so I am asking if you can do a chris evans smut when he surprises his girlfriend you with the suit? You can do whatever you want though thank you! xx

A/N: Wow, i am so proud of this smut LMAOOO but it’s just so NASTY OMG!! I can’t believe i wrote this!!! the gif is EXACTLY the chris that’s in this fic.

Warnings: smut, Dom!Chris, Rough!Chris, Sub!reader

*gif not mine

Enjoyed this and want more? Send in your requests!

Request Guidelines

MASTERLIST

You sit on the bed, the covers around you, flipping through a magazine. Your pajamas are simple: shorts and a tank top because the weather is too hot to sleep in anything more. The TV in the corner is on, blaring the news. The lights are dimmed.

Chris is in the bathroom. It’s always like this; your routine. You go in first, taking your time with skincare and showering, while Chris whines that he has to pee. Then, while you fluff up the pillows and prepare the bed for sleeping, Chris just pees and washes his teeth and he’s ready for bed.

“What about moisturizer?” you’d once asked, way back when you’d first started sleeping over. But your boyfriend had shrugged and waved it off because he’s just like that. Pretty like that.

Now, however, he’s been in there for a while. You check the door, see if the light is still on. Shadows dance under the door, but no sound. What is he doing in there?

It doesn’t matter because all you want is to snuggle up to him and watch the boring news until sleep claims you. Or he does.

The door finally opens, and still staring at your magazine, you smirk and ask, “Did you take a little poo?” When you get no answer, your smirk widens. “Usually you take them in the morn...” You trail off because there, standing in all his glory, is Captain America.

So that’s why he’d been growing out his beard.

Not a very long time ago, you’d expressed your fondness for nomad Steve Rogers. After your boyfriend and you had spent the weekend binge watching all Marvel movies because the weather was bad, you’d made a passive point that bearded Steve Rogers was peak. Chris had laughed and said he too liked the beard, but in his heart, home was The First Avenger and would always be clean-shaven, by-the-book Cap.

But now. Now.

You don’t know where he got the Infinity War suit with the ripped chest piece and the darkened star and the dusty layers, but it makes your heart flip and your stomach drop down to your knees. Chris looks absolutely ravishing. You’d only seen him in the suit on screen, but now, under the very real lighting of your room, with Chris’s eyebrow quirking up, he looks ravenous.

Your mouth parts and you let out a whimper.

The dark blue trousers fit snug to his legs, looser around his waist, and as you trail your eyes up, you can’t help but linger on his crotch. God, how many times had you fantasized about him in this suit? How many times had you had to bite your tongue about it when Chris asked you what your biggest fantasy was? Too many.

Chris stands there with a cocky look on his face. He knows what he is doing to you. The rosy cheeks. The whimper. The wandering eyes. The fidgeting.

He doesn’t say anything. His burning blue gaze glues to yours, trailing up and down your body. You close your magazine and toss it onto the night table, scooting to the edge of the bed, bare feet hanging off the edge.

Then Chris licks his lips. “Are you gonna be good for your Captain?”

Your mouth opens in surprise. He’s never been this way before. Always calm and gentle, never assertive or overly dominant. But the intensity radiating off him now burns through you like a furnace, and you can’t help but feel it in your knees.

You nod.

He takes a step forward and instinctively, you scoot up the bed quickly. He smirks, puts one hand on his belt, and gives you that head tilt and eyebrow quirk you’d once said was hot. “Don’t be bad,” he says, and his voice is low and roach, and something switches in your stomach. “You know what bad girls get.”

He takes another step, and just to spite him, you flip over and attempt to crawl to the other edge of the bed. But his hand clamps down around your ankle, and with one harsh tug, he has you splayed on your stomach.

“Ah ah,” he coos, stepping between your legs. Your skin tingles where his fingers touch you, as they skim your calf, up the back of your thigh. You press your cheek against the sheets, hair splayed messily around you. “Be good,” he demands, and this time, his tone is harsh.

Heat spreads in your belly. “Yes,” you whimper.

“Yes, Captain,” he corrects behind clenched teeth.

This side of Chris, this animal, hungry, powerful side of him had otherwise been hidden from you, and now that it was out, you wanted to play.

“Yes, Captain,” you murmur.

His left hand grips the band of your shorts, and using his leverage, pulls your ass back until you can feel his belt buckle against the back of your thighs. The sting of it is cold and you wince lowly.

Chris chuckles. Still holding you, he uses his right hand to unbuckle himself, tug the belt through the loops, and rip it free. There’s a moment where the clang of the belt echoes in the room, the moment stagnant, and all you feel are his eyes raking over you like hot coals. Then the leather strap trails lightly across your clothed ass, and shivers erupt on your skin.

Chris’s voice is low and tantalizing when he speaks. “A birdie told me you like men in suits of armor.” His left hand sneaks up into your hair, grips it, and yanks you back slowly until your back is pressed against his chest. You breathe shallowly, your hands braced on his thighs. His nose nuzzles your neck, his teeth grazing your skin. “Let’s see if you like to get fucked by one.”

The sheer intensity in his voice makes a moan leave your lips unexpectedly. He hums in approval before bending you back onto the bed. He uses an arm under you to effortlessly position you so you’re facing the headboard, and then climbs in, flipping you on your back with one hand.

Facing him now, you can see the darkness in his eyes, swimming in the blue, clouded in lust. He straddles your waist and you reach up to touch him, to run your fingers in his locks, but his hand shoots out and grips your jaw. “Tss tss.” Again, that dominant tone as he pushes you back into the mattress. Eyes, blue and taunting, trail up your body, to your gaze, then to the belt in his free hand.

You know what’s coming when he takes both your wrists in one hand. You’ve never been tied up before, and the idea of being completely at someone’s mercy makes you squirm.

And that doesn’t please Chris.

He squeezes your wrists and shoves them over your head, inciting a small yelp from your lips.

“I said be a good girl for your Captain,” he reiterates, his tone vicious, lustrous, as he looks at you with one eyebrow cocked.  

“Yes,” you whimper. And then, when you see his mouth twitch, you add, “Captain.”

He smiles triumphantly and proceeds to wrap the leather belt around your wrists, and then secures it to the headboard. You give one tentative tug, but you’re tied in real good.

Chris leans in until his lips are grazing yours. “You’re not going anywhere, sweetheart.”

His blue eyes stay glued to yours as he slowly slithers down the length of your body. You’re buzzing, trembling, anticipating what’s coming next. But Chris is in another mindset, a different dimension, because just as his mouth lingers over your clothed apex, just when you feel his warm breath on you, you are right back onto your stomach. 

Your wrists are criss-crossed, fingers clenched against your bindings. “Chris.” The name leaves your lips in a whoosh, the movement of him flipping you over once again almost knocking the breath from your lungs. 

There’s a hand in your hair, pulling, faster than you can even blink. The weight of him over you, warm and heavy. His mouth at your ear. “Captain,” he demands, voice clenched. 

You shiver. Your ass is right at his crotch, and when you move up slightly, you can feel just how hard he is through his trousers. He really likes this. 

Then his weight is lifted. Hands on your hips, gripping your shorts, and he slides them down your thighs, down your calves, until your shorts are being chucked across the bedroom. His knees leave the bed one by one as he positions himself between your legs. You become very aware of how naked you are when cool air brushes up against your bare pussy. And you become very - very - aware of how wet you are. 

Chris groans when he sees you, glistening, ready, wanting.��“You’re such a mess,” he grunts, hands on your ass, kneading, spreading. 

You flex your hands, feeling the blood leaving your fingertips. You look back, strands of hair in your face. Chris has eyes just for your pussy, his eyes wide and blue, mouth parted and wet. This look on him; this look of utter lust and desire and possessiveness is enough to make you squirm your hips. Searching for friction. Your bud, sorely neglected, rubs against the mattress. A moan passes your lips, and Chris is quick to grab the flesh of your haunches and yank you up and back, so that your ass is in the air. And you lose the friction on your clit. 

A whine comes from your throat, and surely, right behind that, a smack on your ass. 

“I’m the one to give you any kind of pleasure tonight,” Chris groans, his fingers digging into your flesh. “Nothing else. That’s why your hands are tied.”

There’s no possible way you can answer coherently, so you whine and wiggle your ass back, desperate for his touch. For pressure or friction or anything!

His hands leave your ass and slither down the backs of your thighs. You can feel the rough fabric of his trousers against your skin, but he is keeping safely away. 

“Chr-Captain, I want you to... touch me, please.” Your voice is frail, breathy, husky. Chris’s soft caresses turn aggressive and he is once again grabbing your skin. 

He doesn’t answer, instead finding your clit with his thumb and pressing. Your desperation leads you to moan and jerk backward, searching for more. He complies with a snicker, rubbing his thumb along your swollen and soaked clit, circling, flicking, pressing. You’re moaning and whining, muffled against the mattress, your breathing labored. 

He smacks your ass again, mumbling a low, “Mine,” with urgency, and then his middle finger plunges easily into your hot core. 

“Fuck,” you breathe, wiggling your ass back. His finger slips so easily inside you that it’s almost embarrassing. 

“You’re so wet,” he mumbles, thumb finding your clit again, simultaneously pleasuring you. 

At this point, you don’t care if you sound desperate. “It’s all for you, Captain.”

He makes an acquiescing sound and plunges a second finger into you, pumping slowly, eliciting a low moan from you. 

“Do you know just how fucking hot you look right now?” he asks, his voice rough and low and breathy. 

You can’t answer because the precipice is coming and you’re searching that climax with urgency. His thumb flicking quickly and tightly against your bud and his fingers pumping in you, petting that spot, makes you want to say the most nastiest things to him. 

The knot in your belly, just under your navel, begins to burn. You moan louder, Chris’s name coming off your lips like a mantra. Your walls clench around his fingers, your clit buzzing, searching and begging for release.

“Come on, baby,” Chris mumbles encouragingly. 

And then you’re cumming, clenching around his fingers, moan echoing in the dim room, legs trembling from the force of your fall. Pleasure throbs from your core to your knees and down to your toes, and you’re curling them against Chris’s thighs. 

“Fuck, baby,” he groans, slapping your ass, biting the sensitive skin with such force that your moan turns into a yelp. 

Behind closed lids, your breath echoing in your ears, you can hear Chris unzipping his trousers, fumbling with the fabric. The bed dips, and then your aching, buzzing core is poked by Chris’s cock and you whine low in your throat. 

“Are you ready for you Captain, babe?” he purrs. You nod, clenching your numbing hands.

One hand on your hip, he uses the other to guide himself into you. It’s always a stretch when Chris fucks you. His girth and his length combined are enough to have you breathless, struggling to adjust. And it’s like that now, as he eases into you, you stretch around him with a soft, stuttered moan. Your orgasm left you tight enough and throbbing enough that as soon as Chris is halfway in, he can’t control himself any longer. 

In one swift thrust, he’s bottomed out, and you’re writhing on your knees, trying to take him in. 

“You’re so tight, baby, fuck,” he moans, both hands gripping your hips like they’re his anchor. 

He doesn’t let you adjust like he normally does. Instead, he begins a pace; slow, languid thrusts, deep and harsh, that leave you shuddering and begging for him to make you cum again. 

“Are gonna cum for your Captain again, baby?” he groans, fingers gripping, hips snapping. “Huh? Are you gonna cum all over this cock?”

Those words, so dirty and so unlike Chris, make you clench around him, wiggling back on him, wanting him to keep hitting that spot inside you that makes you want to scream. 

He’s not chasing his high. He’s chasing yours. The pinnacle starts and you’re moaning so loud, the sheets between your teeth. His cock keeps caressing your tight walls and hitting that spot each time. He’s a God. 

You cum for the second time, stars dancing behind your closed lids, clenching around him so hard it makes him slow his thrusts. “Fuck, baby, that’s good,” he moans lowly, giving your ass one more smack, enjoying the rhythmic throbs of your soaked pussy around him. 

He slides out of you and the emptiness left behind makes you sigh, but he’s not done with you. 

One hand pushes you by the hip until you collapse onto your side, panting. He reaches for your binding and rips you free. Your wrists are red and sore, but you don’t even feel it. You’re buzzing so hard from your orgasms, from the sheer sensuality and lasciviousness of it all, that you don’t even care. 

Chris takes each wrist in his hands, and for a split second, it’s not Cap anymore as he kisses each injured wrist. 

As soon as he came, he goes. The dominant, harsh man comes back as he pulls you by the thighs until you’re flat on your back. 

“You’re gonna make your Captain cum, now, are you?” he asks, eyes searching yours. You nod compliantly, spreading your knees, reaching out to touch his shoulders. “Good girl,” he groans, aligning with you again. 

In another swift thrust, he’s back inside your soaked walls. You’re full and you want more and you want to sink your teeth in his shoulder. He uses his elbows to not crush you, but each thrust, now more rigid and forceful, takes your breath away. 

Your third impending orgasm approaches faster than you thought with each snap of his hips, and when you begin to clench around him, he groans low in his throat. He hoists himself up on his hands, and one hand wraps quickly and surely around your throat. 

The sight of him - mouth parted in a low moan, broad and shapely shoulders hunched over you, that darn fucking suit still on him while he pounds into you - are enough for you to throw your head back and moan. It gives more access for Chris to squeeze his fingers around your neck, hips snapping so hard that you’re bouncing up the bed. 

He knows you’re about to cum, and when your walls are tight enough for him to join you in your ecstasy, he brings his thumb to your clit and the pressure is enough for you to erupt. 

Chris’s hips stutter while you clench impossibly tight around him. Your eyes close and your body hums with pleasure, as Chris gives one last harsh thrust before he spills into you, groaning low in his chest. 

You’re barely aware of the aftermath. When your senses come back from three fucking orgasms, Chris is laying on his back beside you, breathless, sweat shining on his forehead. 

“That was - God, baby that was so fucking good,” he breathes behind closed lids. He’s smiling, and so are you. 

“It must be so hot in that suit,” you breathe back, searching for his hand on the bed. He takes yours and brings your knuckles to his mouth. 

“You have no fucking idea,” he answers with a chuckle, lingering his mouth on your knuckles. 

You smirk. “Shower?”

Chris laughs, but slowly turns his head to you. “Give me five minutes.”

[ritchieblackless]

[Ranking Of Cozy music eras]

Well, as many of you know, Cozy did A LOT of things with many musicians and playing different styles. He appeared on at least 66 albums and counting another session work, some hidden works (Like Supertision and Ballroom Blitz) in total is nearly 90 things that he did! (that's why it took me so long, I had to listen to all again) but always one era will be better than other so... at the request of @thespiritofvexation (and I wanted to because is a excellent idea) here are the ranking of Cozy music eras.

Note: I'll try to be objective about this but also you'll get my opinion.

9. Whitesnake.

(As you can notice, Cozy's solo album is there. I put it because is in same era. I did this with all Cozy's solo albums 'cause the poor boy didn't have the time to make a proper solo career... he didn't like that very much anyway.)

Well first thing I'll highlight about this work... is the fact that his drumming is plain, so plain... for being Cozy Powell. You know, Blues rhythm, one bass drum and tomb with a little bit of cymbal... plain. But it's alright because the album needed that type of drumming (Not pun intended of course) I'm just saying that his drumming is so plain because the songs (Blues/Hard Rock) needed that, otherwise, it would have sounded a bit Rainbow-ish. Remember that Cozy was so versatile. He had a strong style but if the song needed the opposite of his style, he was going to do it.

Whitesnake era for me is not his best but LIVE. He on stage was another story. He was amazing.

Songs with Cozy's signature: Hungry For Love.

A side from Whitesnake we have his solo album which is one of his best works. Octopuss was a successful album. We have his mix between classical music and his drumming which is mind blowing. Hard Rock tracks like The Rattler, Formula One (Good one, Cozy) and Princetown and one ballad (Because he liked... a true sweetheart.) Dartmoore.

8. Michael Schenker Group.

His work here is what I like to call "Angry Drumming"

He didn't get along with Michael Schenker so they were fighting everytime. So all he did in this only album with MSG he did it angry... that's why is so good. He was "in mourning" trying to get over Rainbow so he had no better idea that making his drumming sound Rainbow-ish (I can relate) taking advantage of the situation that MSG was a heavy rock band. Not Rainbow, but still. There are a lot of Cozy's fills and Cozy's arrangements on the songs too more than Whitesnake.

Songs with Cozy’s signature: Attack Of The Mad Axeman, But I Want More and Feeling Like A Good Thing (Live). 

Now, a side from MSG we have his second solo album. Tilt have jazz-fusion songs like Cat Moves. A  rock tracks too like The Blister and Hot Rock. And with some funky thing like The Right Side with another ballad (Because he is a sweetheart) Sunset. Tilt was an anti-commercial album with a nice success. Also, the album have two “Dark” songs which are Living In A Lie and Jekyll Hyde (Inspired of course in Mr.Jekyll and Mr.Hyde... Cozy’s favourite book... such a nerdy.)

7. Brian May Band.

We know how important Cozy was for Brian May’s solo career and Brian himself... (But I’ll not going to talk about this now, because I’m focused only on his drumming.)

Basically Brian told him “Be yourself, I don’t need a type of drumming” So that is what you listen when you listen those three albums... a free, happy Cozy. So powerful as always and creative. Of course Cozy had to be powerful because he was trying to cheer Brian up (He is so sweet). Believe me when I say that this is his best work in his last days! Its amazing the heavy-hand that he still had. For moments you think that you are listening Rainbow by the power of his drumming and the songs are completely stunning. 

Songs with Cozy’s signature: Cyborg, The Guv’nor, Resurrection, Rollin’ Over.

Now, his solo album. The Drums Are Back was not a successful album with bad reviews saying that Cozy was recycling himself. I personally don’t think Cozy was recycling himself, I just think that he had his own way to do songs and make albums.In spite the bad critics and no success, the album was top ten in Japan.. HA! The Drums Are Back have really groovy songs like The Drums Are Back, Legend Of The Glass Mountain (He really never got over Rainbow..). Rock songs like The Rocket and Ride To Win. And three ballads (Because he is a sweet-... well you get it) Battle Hymn, Cryin’ and Somewhere In Time.

6. Peter Green Splinter Group. 

This album is a proof of Cozy’s versatility and still young drumming. 

He and Peter Green got along really well so their chemistry was reflected in the music and live performances (Unfortunately a very few with Cozy) Yeah, the whole album is basically blues, okay? But the thing is that Cozy, no matter how slow the blues was, he would let you know that was him playing the drums.And I need to say that: HE PLAYED BLACK MAGIC WOMAN WONDERFULLY... (just that, back to the point). 

Peter didn't tell him how to play drums in Fleetwooc Mac’s songs, Cozy just did it and he did it fantastic. Also, his drumming sounded so young, so strong and with presence. Its mind blowing really because you don’t expect Cozy at the age of 50 playing strongly but he actually did. He did his drum roll thing with just one bass drum, he was still so noisy as always (I’m so sorry just this era puts me soft)  

Songs with Cozy’s signature:Homework, Going Down. 

And his solo-... oh... right... *Runs to bathroom to cry*

5. 80s Work.

 Well, time to time (For not saying always) Cozy liked to participate in his friends’s albums when he had a little free time with the band that he was in at the time. I did this 80s work section here because I cant believe that amount of things that he did while he was playing in other bands (I mean, u r for real?)...I put the most popular ones but out there are a lot of unknown Cozy works in the 80s with several bands. I just felt that his 80s works deserved a position in the ranking. This is another proof of his versatility but, with a little of his style of course. 

Songs with Cozy’s signature: Tender Babes by Jon Lord, Night Games by Graham Bonnet, Slow Dancer by Rober Plant, Believe by Tom Galley (Phenomena) Shakey Ground by Bernie Marsden, Running from The Storm by Gary Moore and well.. ETC (and many many etcs)

4. Black Sabbath

This is when Cozy turns his “Beast Mode” on.

I don’t know why, maybe because he knew what Black Sabbath was (Tony: Join my emo band.... Cozy: okay) and what it needed..? because that is his normal drumming..? (I'm sure that is his normal drumming.) But he literally blows your mind in every- fucking *wheezes* song. The three Black Sabbath albums are filled with unexpected Cozy's fills (No matter how many times you've listened to those albums, he is unexpected.) His beat is very heavy and very exact too. He was a fan of Bill Ward so I'll be not surprised if he tried to get that heaviness! (I mean, Cozy has his own heaviness but what I'm saying is that maybe Cozy wanted to make a proper Black Sabbath sound) 

Songs with Cozy’s signature: Headless Cross, The Call Of The Wild. Basically all TYR and talk about Forbidden is forbidden... (I’m joking. Is a good album too)

3.Jeff Beck/ RAK 

Well, for start I put them together because when Jeff Beck Group disbanded, the following year he signed a contract with Micky Most and RAK. So, he was a secessionist, a well-known secessionist. He was in the circle for someone who needed a powerful-jazzy style. It’s like the 80s works really (omg Cozy get a grip). He was a really demanded drummer, everyone wanted him and he eventually worked with everyone. He had a very well-known beat by that time, you easily can tell was Cozy but he also had to be more open to the different styles that he was asked to play (Basically he can’t play like him all the time). He also had some discredited stuff, like Ballroom Blitz by The Sweet (It’s so obvious) and Superstition by Steve Wonder (I know, I know that it says Stevie played everything BUT NOT IN THIS CASE DON’T BELIEVE HIM. What you hear in the song is Cozy playing.) and more like some Suzi Quatro’s songs.

Songs with Cozy’s signature: Ballroom Blitz, Superstition, Cosmic Wheels, Band Of The Salvation Army Band by Tony Ashton and Jon Lord.

Now his solo stuff: Here comes his baby, his household, his precious treasure, his (okay you get it) Dance With The Devil single. It’s a friendly instrumental which they did for a laugh but it became seriously successful... (Yes, they didn’t mean to do it but they did) Micky Most ask to Cozy if he wanted to be a single and Cozy said yes thinking that it was not going to be a big deal but *BUM* 1 Million of copies sold (Literally Cozy stayed at home two days laying looking at the ceiling because he can’t believe it) Of course they did the Dance with the devil part 2 which is Man In Black but it didn't work as well as the first one.They did Cozy Powell’s Hammer but it was kinda a fail too although the band had several tour dates. 

This is when Cozy met his lost brother (okay no) This is when Cozy tried his best to play good jazz but instead came up this.. jazz fusion-rock-weird thing. So the thing here was: Jeff didn't know how to explain Cozy what the wanted him to play and Cozy was getting mad about it (Jeff: You can do ta.. tatada tss, ts ts ta da ta... Cozy: Honestly Jeff wtf?) so he did what he thought was better for the record and Ta-Da! Rough And Ready was born. Cozy’s drumming is a bit lighter and he uses a lot the cymbals for a swing-jazz rhythm.  

Songs with Cozy’s signature: Going Down, Ice Cream Cakes, Situation, Short Business.

2. Rainbow.

(Omg Martina are you fcking crazy????) Yes I didn’t put Rainbow in the first place...A new hope for Cozy (This sounds like Star Wars movie or something)

Okay, this is one of his best eras because he was all recovered of his disappointment in music business in 1975. He literally gave up with music (poor babe) until Ritchie called him (Ritchie: Join my emo band... Cozy: okay) . He was ready and decided to show that he wasn't a poor drummer... and he did.He played all his tricks, he was so unpredictable and powerful. He actually was lead drummer (I’m not sure if that exists) He didn't played with the bass like a normal rhythm section, he played with Ritchie. Cozy live with Rainbow was so unbelievable, like the unexpected fill in Catch The Rainbow, Man On The Silver Mountain... To be honest, the first Rainbow album sounds so plain without Cozy, it’s like.. something is missing (Basically Cozy changed the band). His beat is so heavy, strong and incredible.Also his 1812 Overture which is just mind blowing. He was a happy Cozy in Rainbow, that’s why he played so brilliantly (and he was Ritchie’s goal friend... what is better than that?) Cozy did an amazing job in Rainbow... (No words...)

Songs with Cozy’s signature: Stargazer, Run with the Wolf, Mistreated (Live), Lost In Hollywood, Eyes Of The World, Gates Of Babylon, Light In The Black, All Night Long and.. all.(Literally all)

Now, his first solo work: Basically he had nostalgia for Hammer and the press still had bad relationship with Cozy saying things like “He is just Dance With The Devil and nothing more” so Cozy want to make an album so fantastic to shut them up. He called to his friends and all was ready... but they needed a bassist so Cozy took his chance and asked Jack Bruce if he can play in his album (Cozy was such a Cream/Jack fanboy.. he was almost his male crush lol.) Fortunately for Cozy, Jack said yes and they recorded it. The album had a fantastic success, extremely high success. The album had fantastic songs like Theme One (Courtesy of George Martin), The Killer, El Sid, Heidi Goes To Town and one sweet ballad (Sweetheart) The Loner (Dedicated to Jeff Beck... That is actually very cute). 

1. ELPowell

(ARE YOU JOKING?????) No, i’m not joking and i’ll tell you why. Also this is when Cozy became a prog nerd. 

The only one reason that I chose ELPowell as best Cozy music era instead of Rainbow... it’s because he stepped out of his Comfort Zone. This is the REAL proof of Cozy’s versatility. He did amazing things in Rainbow yes but in the end was rock and roll... This is different, this is progressive rock (I don’t really care about Progressive people’s discussion about 80s progressive rock... I’m talking only about Cozy) and Cozy didn’t know a THING about progressive and he still did it amazing. Of course, he took what Carl did and he simplified it to carry it to what he can do... and he did it very well. He had to learn all the ELP’s songs studying them (That’s when he accidentally listened to all elp discography and some Genesis, Yes and well... he became a nerd) He started to experiment with new percussion instruments that Carl used before.. (Like those bells that you hit them with a little hammer... no? okay) He became a KONG BOY too. He literally learned a whole new drumming style but of course with his Cozy sound. Tarkus played by Cozy is amazing, and when he is doing the Congas in From The Beginning kills me every time (That tank tee and those muscles...) and those drum solos...(Damn) they are really something else. And this is the same case of Rainbow.. he was recovering from his disappointment in Whitesnake so he was so enthusiastic about playing with Keith and Greg.  

Songs with Cozy’s signature: Touch and Go, The Score, Mars the Bringer of War. 

THIS IS THE END... GOD this took me an eternity and I explained so much i’m so sorry this is not going to happen again. This is the first and the last time that I’ll make a large post! (For my own mental health) This is so large, I didn’t mean to, sorry! Nobody will read it to the end but I don’t care... and if you do thanks very much this costed me two nights <3 (And sorry if there are any grammar errors) 

[smallcowplant]

Hi! I'm curious what your thoughts and issues are with chapter 2? I just saw it last night myself! I completely agree with all the positive things you said! I left the theater feeling dissatisfied though, and I can't quite put my finger on why.

Hey!! 

Alrighty, this is gonna be a doozy, so strap in folks!

Disclaimer: This is all my opinion, and it’s cool if any of you disagree w/ me! Just don’t be too mad at me, lol. ALSO, BIG SPOILERS FOR IT: CHAPTER 2.

So, in my humble opinion, I think the one thing that hinders IT: Chapter 2 the most is something inherent to the very structure of the story—-the source material. Oop! 

Now, don’t get me wrong, I love me some Stephen King. He is an absolutely phenomenal writer and has a knack for writing some of the most poignantly horrific scenes in modern lit—-he greatly inspired me as writer and I love him for it! He’s my favorite creepy uncle of the lit world and I adore him. (In a way, TSS is a total love letter to his works, as they impacted me so much.)

HOWEVER (and this is a big however with me), I strongly believe that Steve’s strongest characterization and writing is in his Tortured Middle Aged Straight White Guy Writer With a Vaguely Dissatisfied Marriage and Drinking Problem™ characters. 

He’s very good at writing this one character, and this one character only. 

Ask him to write a female/lgbt+ character and he falters hard. I would even go as far as to say that his female characters often blend into this one colorful curvy blur of nothingness (wendy/audra/jessie/bev)….unless they’re the villain, and then they get an ounce more of Decidedly Female™ Evil (Carrie, Annie). 

This is of course, a personal opinion, and one that I’ve come to realize through years of reading SK. 

Bev feels very much like a vague character in IT: Chapter 2, so I don’t have much to say about that. I like Jessica Chastain in the role, yadda yadda.(The Bev/Ben/Bill shit is dumb af, but I’ve thought this since I read the book so what can you do.)

My biggest issue is in the handling of Richie, and the gay characters in the film as whole. There’s a bunch of hammy weird scenes meant to wink-wink-nudge-nudge at the audience that just rubbed me all the wrong way.

The closet behind the “Very Scary” door.

The not-so-subtle parallel of the hate crime against Don and Adrian and Richie’s response to Eddie’s death. “He has asthma, you fucker!” Or some line somewhat similar….who else has asthma? Who else dies while the man who loves him watches horrified, screaming his name over and over again? Yeah. That was definitely on purpose.

The last scene of everyone ‘After’, wherein we see that Bev and Ben are happily together and have a dog (???), while Richie approaches the bridge, completely emotionally broken, to re-carve the R + E into the bridge. 

Just……..boi. Lmao. Now, these are not problems that the film has alone—-this is all due to the faithfulness to the novel. This is mostly all pulled from the novel/directly in line with the canon. 

Personally, the Bury Your Gay/The Gay Character Faces The Deepest Trauma trope is one of my most hated tropes. 

It’s just….very disappointing to see everyone else get this very hopeful ending, and see Richie just…..completely devastated. I love seeing representation, and I’m glad that they made Richie/Eddie more explicitly gay (even though it was never…..actually…..said……), but……killing off your gays and making them sad is the most tired “haha gotcha!” trope and I really dislike it. 

THAT BEING SAID, THIS CANNOT BE CHANGED WITHOUT COMPLETELY GOING OFF SCRIPT OF THE ORIGINAL NOVEL. 

This is a problem I have with Steve, and IT, inherently. It colors my opinion of the movie/book greatly, and I can’t escape it.

Now, for Less Me™ Problems:

The pacing feels….off. I honestly think that if they had included more slower-paced scenes/introspective scenes, the impact of the final battle would’ve been stronger. (Now, once again, just my opinion! My bf thought the movie was way too long, but then again, he never read the book.) It really felt as if they just jumped from jump-scare to jump-scare to jump-scare for shits and giggles sometimes, tbh.

On that note, the fuckin’ JUMP SCARES. One of my favorite things about the first movie was how it didn’t rely on jump-scares to be scary—-I can remember a singular one (when Pennywise catches Bev in her apartment), and that WORKED because the tension was there. For me, things that are eerie—-or slightly off—-are scarier than in-your-face ‘BOOM GOTCHA’ crap. I was a bit disappointed by the over reliance on them, tbh.

I honestly believe that they played too much of their hand with the trailers. It gave away a lot of the scares and emotional bits. (The scene with them looking into the storefront absolutely SHOULD NOT have been included, as it totally took away any emotional weight that the scene was going for.)

to end on a positive note tho!

Things I Really Liked:

The BANTER was great. The restaurant scene was hilarious and morbid and I LOVED it.

I also genuinely can’t stop raving on how amazing the casting was?? It was literally so on-point?? I’ve never seen a film ACTUALLY cast actors who reasonably resemble and act like their younger versions??? That you can wholeheartedly believe actually are them grown up?? I was SHOOK.

EDDIE.

I really hope that what I thought was shade @ st*nley k*brick was actually shade @ st*nley k*brick. Because if so that was fcken devastating jfc.

All the scenes with the Losers as kids!!

If you’ve read the book, it’s genuinely v creepy to know that Bev was literally drinking sewer water out of that teacup, even though the movie doesn’t explicitly say it (the cut to her holding the cup in a way so you could see the brown liquid SENT ME) 

VERY glad that they dropped the whole pointless plot of Audra coming to Derry and getting captured bc I think I would’ve fallen asleep 

[uppercuts-and-undercuts]

How’s it going, you fucking legend? I write stuff, and read way more stuff. Firmly stuck in the Hartwin trashcan, and also a hopeless Tony Stark stan. Also, Harry Hart can get it. Thirst posts about both of them are highly likely, even if only in the form of reblogging.

Huge Marvel fan, but only know a significant amount about the MCU (I’m too much of a broke bitch for a comic book collection, you get me?) so therefore I’m not a fan of Steve, Natasha, or Clint. The MCU has fucked with a lot of good shit, because I loved Natasha at first, and was generally positive about Steve and Clint. Then they were ruined by the writers. :/

Kingsman TGC was forgettable for me, which I’m again attributing to the writing. TSS was absolutely brilliant, I can’t begin to tell you how much I loved it. Need my own Harry Hart, because damn.

Talk to me, prompt me, whatever you like. I’m shy and a little weird, but I’m friendly!

And check out my previous works, if you like: https://archiveofourown.org/users/RueLawliet

[shadow-genesis-yay]

Some personality headcanons for my Rainbow Saga SMP AU

Aka, certain characters acting like YouTubers I watch who play Minecraft

Sabre, TSS! Rainbow, TSS! Galaxy, and Lucas all act like themselves obviously, but:

The First Curse: Kolanii

TSS! Void: Calvin

Soul: Kian

Corruption: LockDownLife

Positive & Negative & Infinity (i know theyre the same.): KIER and DEV

Origin (both versions): Ashswag

Time (both): Mogswamp

Spirit Guardian: Aust

[citadelofoldtown]

@oddballnerdguy said: @citadelofoldtown Which Daeron? The Young Dragon? Because he was the one that started the war and ended up creating new waves of hate between the different regions of Westeros. Aegon the Unworthy was the one who created a lot of the ills of Daeron’s reign. He sired Daemon Blackfyre and gave him many ideas on what he deserves. While you could argue Daeron the Good didn’t deal with the problems adequately it was the Unworthy who kept fermenting dissent against his son.

No, I meant Daeron II, though Baelor bears a lot of the blame as well (his handling of the resolution of the Dornish Conquest was absolute political madness). Aegon IV might’ve put the idea that he should be king into Daemon’s head, but more than that is needed to get so many lords to rally to his cause. The First Blackfyre Rebellion wasn’t particularly about the succession of the throne, it was a bunch of unrelated grievances that pooled military strength together behind a figurehead that could promise a favourable end to those grievances. Why else would the Yronwoods support the Anti-Dornish faction of Daeron II? When Daeron II said that Baelor’s work was done... that’s not really a good thing, since Baelor did a lot to fuck up the realm.

Steve Atwell, of @racefortheironthrone, has already wrote a brilliant series of essays on this subject which I’d highly recommend you read in full. Below the cut is an abridged version of the first part, which describes pretty well why I feel the First Blackfyre Rebellion wasn’t just a battle of nerds vs. jocks, and actually a result of Daeron’s inability (or, more likely, unwillingness) to understand the grievances of his lords, though perhaps “created” is the wrong term to use. “Exacerbated” would probably have been a better choice.

@riana-one said: I love Alysanne. But ranking favorite ships I will put two wartime teenagers making good over an old man panicking in a time of plenty

Oh, well, fuck me! I thought we were talking about their merits as kings, and completely misunderstood the post! Recontextualizing the post to be about shipping, oh yeah, I can totally see why you’d prefer Daeron/Mariah to Jaehaerys/Alysanne

Baelor's actions are lauded for bringing an end to the Dornish War(s). But in retrospect, I think we can fairly criticize Baelor for how he handled his kingdom's expectations regarding the peace. While Baelor's martyr-like, all-encompassing forgiveness is certainly personally commendable, it also prevented the people of Westeros from coming to any kind of catharsis over the losses they had suffered, let alone restitution or revenge. By suing for peace, releasing the hostages unconditionally, and doing a public act of penance for the war, Baelor symbolically placed the men who had fought for his brother, both the ones who survived and the ones who died, in the wrong. The muted, inexpressible resentment and the suppressed grief and rage of those who had so much snatched from their grasp would only fester. And by uniting the houses of Martell and Targaryen, he brought the conflicts over the war into his own family.

However, with the text of The World of Ice & Fire in hand, and in the light of Jon and Daenerys' peacemaking efforts in ADWD, I think Daeron II's reign is due for some revisionism. For like Jon Snow, I think Daeron can be rightly criticized for having pushed for peace too fast and too hard, failing to build enough of a constituency behind his policy, and failing to pacify the hardliners who would lead a backlash against him.

This is where I feel Daeron [II] can be rightly criticized, because he had eleven years between his accession and the Blackfyre Rebellion to deal with this anger, and did nothing to ward it off. Especially given his manifest skills in administering and ruling, he should have known better - he may have only been seven years old when Daeron I was slain in Dorne, but he grew to majority in the reign of Baelor the Blessed and must have seen the reaction to Baelor's policies; he certainly would have been familiar with the depth of feeling that his father had drummed up in support of his new war and against Daeron himself. There was a need, once again, to manage expectations, to find symbolic and practical means for soothing and channeling violent emotion in productive direction, to explain and justify his policies, and to ensure that the men who had lost out when peace with Dorne had been accomplished had a stake in the new regime by spreading around the patronage as opposed to concentrating so much influence in the Martells. 

But lest we fall into a simple story of nerds vs. jocks, we should note that Daemon wasn't just a warrior. Yes, "Daemon stood straight and proud, and his stomach was flat and hard as an oaken shield. And he could fight. With ax or lance or flail, he was as good as any knight I ever saw, but with the sword he was the Warrior himself." (TSS) But as Martin explains, Daemon could "be charming and charismatic too, with a winning smile... He made friends easily, and women were drawn to him as well." (So Spake Martin) Just as Renly made use of chivalric iconography to build a political following, Daemon used his abundant gifts to attract a political following of the greatest knights of his day: "Robb Reyne, Gareth the Grey, Ser Aubrey Ambrose, Lord Gormon Peake, Black Byren Flowers, Redtusk, Fireball... Bittersteel." (TSS) Daeron might have been the better diplomat and the better administrator, but Daemon was clearly a gifted politician, someone easily capable of the charisma that calls armies into being - just as Daeron I had done. 

However, in retrospect, Daeron's decision-making here doesn't quite match the propaganda of "Good King Daeron." He already had a volatile political situation in which large segments of the political community were feeling isolated, and had probably already started to gather around his brother, who almost certainly was taking an anti-Dornish and pro-military position, and now he exacerbated the situation by giving his half-brother a personal grievance against the king, who had now twice meddled with him in matters of marriage - first, by insisting that a fourteen-year-old Daemon marry Rohanne of Tyrosh, despite that it was not "Daemon's desire" to marry her, and second, by marrying the woman he loved to the people he had been raised to fight against. Even if it didn't cause him to go to war, it certainly changed their relationship from one of brothers who might disagree over policy, but nevertheless would share in the family prosperity (hence Daeron honoring Aegon IV's bequests granting Daemon incomes, lands, and a castle). At the very least, Daeron should have acted to defuse the situation - following the model of Viserys I, who dealt with a similarly troublesome Daemon by sponsoring him in wars safely off the continent.

[T]he Blackfyres drew their support from lesser houses that were traditional rivals of their lords paramount, or that were in some way troublemakers from their region - the Sunderlands were formerly independent of the Arryns and a cause of much conflict between the Arryns and the Starks, the Reynes (and the Tarbecks) major rivals of the Lannisters, the Brackens and Freys unruly and disloyal vassals of the Tullys, the Yronwoods who warred against the Martells to keep their throne. As we might expect, these local sources of grievance found their outlet in Daemon Blackfyre - if Daemon could supplant Daeron, perhaps they might supplant their liege lords and become the new lords paramount of their own regions.

Daemon's strength is largely in the Reach, the natural constituency for anti-Dornish policies. [...] Ironically, by the logic of "the enemy of my enemy is my friend," Daemon also had a strong presence in Dorne among those Houses opposed to House Martell's predominance, ironically uniting under one banner both the Marcher lords and the Dornish lords who traditionally have fought against them.

From standing at the right hand of Daeron the Young Dragon and serving as regents of Dorne, the Tyrells had lost their position and were now living under a monarch who married into their traditional, hereditary enemy, the same family responsible for the death of Lyonel Tyrell (Leo's father or grandfather). Not only that, but the Dornish were now dominant in the court of Daeron II. 

[illusion-reality-steve]

Here me out here an au where nightmare steve and the ancient yellow king (from minecraft steve saga - ghost of yellow steve) swap, reverse steve and positive steve swap, and negative steve and ghost steve swap

(Hey anon, I didn't know what I was thinking while I was answering this, but I thought you meant debut-swap for Ancient Yellow King and Nightmare, and role-swap for everyone else, so I wrote stuff under those ideas. I realized my error too late, and I didn't have time to redo it. I'm really sorry for the inconsistency! Here's my original thoughts for now. Let me know if you want me to redo this ask in the future.)

Re:Ancient Yellow King and Nightmare debut-swap:

Ancient Yellow King: You! Strange one who wears a onesie! Have you seen a rainbow-colored Steve? He has personally wronged me and I want revenge! Sabre: *nervous sweat* Oh god, Rainbow actually hurt someone? What if Dark Steve wasn't lying and Rainbow was actually a bad Steve who hurt everyone in the past?

(Also, if Ancient Yellow King and Nightmare swapped, that basically means Nightmare is trapped as an angry spirit somewhere, and Dark would be mad about that. So that would make Dark's hatred towards Rainbow in this AU more genuine, which can also make Sabre unsure of Rainbow's history. Petition to nickname this AU the “Sabre doesn't know anymore" AU?)

Re:Role swaps for everyone else:

It’s interesting that Positive and Negative are separated in this AU.

If Positive has the same fate as Reverse, he’ll be separated into a friendly Yellow Steve and Red Steve and just chill until…[wait, who’s the Infinity Steve of this AU?] destroys them. This results in Yellow Steve and Red Steve going to the Catacombs, or the Spirit World. Fast forward to the heroes meeting Negative Steve in the Catacombs, Negative Steve might be distraught looking for Positive Steve but unable to leave the Catacombs. Maybe Sabre and Rainbow can help Negative find peace by finding the spirits of Red and Yellow, reforming Positive, and reuniting Positive's spirit with Negative.

Thank you for the ask, anon!

[totalsoccershow]

Who should be the next USMNT captain, what tactics should the new US manager employ, and other listener questions

On Part 1 of our USMNT-centric listener question spectacular, Daryl and Taylor do their best to answer nine questions:

1) Is the USA's fullback problem is solved? If so, where is the next position deficiency?

2) Who would you prefer to wear the USMNT captain armband in the future?

3) When during the 2018 World Cup qualifying campaign did things start to go wrong? 

4) 20 years from now, who will be regarded as the better US manager, Jurgen Klinsmann or Steve Sampson?

5) What specific tactical things would you like to see from the next USMNT manager?

6) Would an MLS team that only fielded American players, similar to Chivas in Liga MX, be a good thing? 

7) What are the chances of a Gerrard/Lampard type situation with McKennie and Adams?

8) Who are some of the new MLS, Liga MX, or youth players you believe will get a look at the January camp?

9) What are some ways we could increase media coverage and scrutiny of the USMNT?

SPONSORS! Today's show is brought to you by...

SEATGEEK! Download the SeatGeek app and enter code "TSS" to get $20 off your first ticket purchase.

THE ATHLETIC! Get 40% off a one-year subscription when you go to http://theathletic.com/tssseptember

    PLAY

[illusion-reality-steve]

This is amazing lmao! I love the fusion Plague-Infinity design. He looks like an evil clown, which totally fits this AU. And the fact that Lucas, Rainbow, and Sabre have different expressions on how done they are is perfection.

Steve Saga AU where Plague Steve absorbs Positive Steve and Negative Steve instead of helping Sabre kill them.

So when it’s Plague’s turn to be the antagonist, he taunts the heroes with Positive's powers, Negative’s powers, and puns.

“You just tested negative in BEING ABLE TO LEAVE THE RAINBOW TOWN" [lightning]

And

"Your dweeb test result came in. You're positive." [lightning]

[illusion-reality-steve]

TSS Kingswap au swaplist part 1: The Nightmare king and the ancient Yellow King swap, Reverse and the positive-negative duo swap, and Plague and Demon steve swap

[Above is Part 1 of a 3-part ask. The following section has reformatted the ask and the other 2 asks for better readability]:

TSS Kingswap AU Swaplist by anon (characters who swap roles in this AU):

Nightmare King - the Ancient Yellow King

Plague - Demon

The Librarian - Overseer

Faceless - Elemental

Time - Galaxy

Memory - Void

Reverse - Positive-Negative Duo*

Ghost - Infinity*

*So in case you were confused about how the Reverse-Positive+Negative swap and the Ghost-Infinity swap work, here's how it goes: Reverse becomes Ghost by absorbing a large amount of ambient energy and transcending his physical form. For Positive and Negative becoming Infinity: Sabre, Rainbow, and Lucas only chase off Positive and Negative rather than truly beat them; by the time they reach the catacombs, Positive and Negative are merged and trapped down there as Infinity.

End of ask.

***

Now here are my thoughts:

Thank you so much for sharing your swap AU, anon! I love these kinds of AU, so I really enjoyed reading your ideas!

So, Nightmare King and Ancient Yellow King swapping roles can have interesting lore change potential. To my knowledge, Nightmare proclaimed himself as king while Ancient Yellow King just always was king. I kinda imagine that Ancient Yellow King would still always have been king in this swap AU, so a pre-established leader going corrupt and evil would change the lore of Steve Saga a bit.

So in this swap AU, Reverse and Ghost are the same person and they replace Positive, Negative, and Infinity's roles in the story. Am I understanding that correctly?

If Plague and Demon are swapping roles, then that means Demon is going to deal with either Ghost or Infinity. I think Demon's got it covered since Demon has the power to drag his targets straight into the Spiritless World, so that would be a fitting defeat for both Ghost and Infinity.

For Librarian and Overseer, does that mean Sabre visits Overseer at an Elder Blue Steve temple to find answers, while Librarian got turned into a sheep by Origin Steve? I feel like a cruel and ironic punishment for Librarian is turning him into a sheep who craves paper.

The Faceless and Elemental swap really intrigues me because if it’s Faceless the one who has missing family issues, it puts a cool metaphorical spin on Faceless’ powers. Faceless feels lost and doesn’t know who he is without knowing who created him, which parallels to his power of taking on other people’s identities.

For the swaps for Time and Galaxy, and Memory and Void, you know I love Galaxy Family drama 8) I’m curious how Memory is going to handle his jealousy and bitterness towards Time in this AU if he has Void’s role.

Thank you again for sharing the AU! I hope you didn’t mind my abundance of comments. Let me know if you want me to remove my comments or this public post.